Pavilion 15 | Narrative | Public Sphere

Moong dal cheala pentru pierderea în greutate. Studiu: O dietă bogată în legume vă poate face mai frumoasă?

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These stories may then be recorded in documents and monuments, they may be visible in use objects or art works, they may be told and retold and worked into all kinds of material. Handlung Is there a difference between actions and stories? The German term Handlung serves not so much as a translation for both words, but much sooner it refers to the very semantic level. It is impossible to differentiate actions from stories, both meanings are intrinsically linked to each other and generate each other.

It is exactly this ambiguity of Handlung1 that should be stressed here and be made productive. The 4th Bucharest Biennale suggests an experimental set-up to scrutinize different modes of action, possible courses and capabilities of action.

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It will try to examine various stories, interweaved plots, and fictions and how all this is bound to or detached from concepts of agency. How is agency proposed and what instructions for taking action are necessary or have to be developed? We will examine practices that criticize, rewrite, correct or queer established narratives as well as yet other forms that play with the set of conditions of constructing narrations and history.

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It will be about the appearing of things2 in the blinding bright light that shines out of the public realm. With this project, we will investigate how, who, and where these [7] [6] possibilities of action are produced, how one can intervene in common patterns and how other and new possibilities of Handlung can be generated.

Studiu: O dietă bogată în legume vă poate face mai frumoasă? Există atât de multe motive sănătoase pentru a mânca legume, încât se simte inutil să le enumerăm în continuare. Dar dacă un sistem imunitar mai puternic, antioxidanții de combatere a cancerului și fibrele sănătoase pentru inimă nu sunt un motiv suficient pentru unii, poate că ne putem apela la vanitatea lor: un studiu publicat în revista Evolution and Human Behavior a constatat că consumul de alimente bogate în carotenoizi - un nutrient găsit în unele fructe, verdeață cu frunze și legume rădăcinoase - le-a dat o strălucire sănătoasă, care rivaliza cu bronzul solar și le-a făcut mai atractive în teste. Mai multe pe Time. Ian Stephen, cercetătorul principal al studiului, acum al Școlii de Psihologie, Universitatea din Nottingham, campusul Malaezia, a declarat într-un comunicat.

In a critical manner, the set-up of this project will be based on the urban and spatial organization of Bucharest with its different historical and political layers and thus trying to examine how urban structures and architecture act as agents to allow, interdict and produce Handlungen.

The public sphere: Action, emancipation and dissent The public sphere - and therefore our whole living together - is structured through various forms of Handlungen. Handlungen have the very potential to make things visible, to find a form of communicating this, hence Handlungen are responsible for the becoming of the public sphere.

In other words it can be said that every single change, every single movement is based on different modes of action, which need to be narrated.

Nevertheless, not everything that is happening or everything that one can speak about is automatically Handlung. In her book The Human Condition, published inHanna Arendt distinguishes between three major human activities: labor, work and action. This short definition shows that [8] action is a very open and general concept, but it does not include all activities and every speech act and is, despite all similarities in Arendts thinking, not equate to Aristotles conception of politics.

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Nevertheless, all this happens in the public realm and consequently the Greek polis can still be described as the clearest realization with its division in oikos private household for labor and work and agor public space of the polis for action.

We will see later how these parameters of public and private space have changed and consider possibilities and necessities of their reactivation. With Arendt, Handlung can be valued as the inner logic of emancipation, because it makes political action possible and finds a moong dal cheala pentru pierderea în greutate to narrate it.

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Another interesting view - that touches on the recent state of democracy and on the possibilities of art in this context - linked to this is Chantal Mouffes conception on the so-called post-political society6.

Mouffes analysis takes its starting point at the absence of dissent.

Pavilion 15

She observes that there is a strong model of consensus located in the centre of todays politics, arguing not only that there are no alternatives, but that the logic of consensus politics prevents any form of disagreement. Nevertheless Mouffe observes a neverending dimension of conflict and antagonism - which she transforms in agonism that has a lesser enemy connotation which is supposedly ever present in the radical heart of democracy.

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This agonistic model can be one possibility in saving or establishing a radically democratic society that is based on various layers of disagreements, which are rationally accepted as disagreements.

If todays official politics is not producing possibili- ties of actions and if a culture of dissent became extinct, the question then is: How can new possibilities of action - new possibilities of and for Handlung - be produced and what kinds of interventions are necessary to interrupt recent i. What does disagreement mean and how can it be applied?

PAVILION. journal for politics and culture / #15 HANDLUNG. ON PRODUCING POSSIBILITIES

How do we have to imagine and where can we find those agonistic models? Consequently, it would be mistaken to just concentrate on a particular outcome and the agency that a Handlung might or might not produce and how the notion of participation can be productive: the question of how narrations, and the resulting narratives, are constructed seems even more crucial, which also asks for an investigation in the connections or connector joints between the different actors and actions.

To put the legitimacy of a narrative into question examines the notion of actions at an earlier stage; it is no longer the substance of the action that is essential for its perception, but the modality in which it is narrated that is the examination of that which leads to and allows its narration. With Hayden White we can argue that history is a verbal artifact, a narrative prose discourse: The content of history is as much invented and imagined as found.

Partea cea mai interesant a acestui ora, cu un pronunat caracter romnesc, snt mprejurimile lui. Aezat la poa- lele muntelui Peristera, el se ntinde n dreapta i n stnga rului Dragor, cu o perspectiv minunat n partea dinspre apus, unde nenumrate coline acoperite cu verdea se las pn n preajma oraului. Trecuser cincisprezece ani de cnd nu-1 mai vzusem.

History can never be only factual, found and thus completely true, because at least the context of certain past events and lived stories what actu[9] III. Fiction, narrative and history At this point we have to remember that this text is about an exhibition, about artistic projects,7 i. However, fictions become relevant as fictions, if we recognize the formerly facts also as fictions.

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It is commonsense to talk about the fact that not only the whole living together, accompanying every action, activity and speech act, is structured through certain rules and regulations, but also the way how certain things and circumstances are narrated in a prearranged way. This distribution of identifications, representations and subjectivations is also based on a spatial organization and a distribution of moong dal cheala pentru pierderea în greutate -be it private housings, public spaces, parliaments or borders.

Art - and more general: fictions - can produce those narrations, but it allows doing so differently from the predetermined order, respectively breaking it and producing new forms as well as different models of identification. Just recall the numerous events, which established breaks and discontinuities in the established order, ally occurred can impossibly be restored. We can no longer see the content of the past as if it were a series of found stories, but instead have to regard this as a piece of fiction, because the former is mistaking the narrative form in which historians communicate their knowledge of the past as actually being the pasts own.

So natural is the impulse to narrate, so inevitable is the form of narrative for any report of the way things really happened, that narrativity could appear problematical only in a culture in which it was absent [] or programmatically refused.

Studiu: O dietă bogată în legume vă poate face mai frumoasă?

The city Handlungsraum13 Bucharest as Every Handlung needs its particular spatial framework and produces space itself. It is again Hanna Arendt who conceptualizes public space as the potential space of appearance between moong dal cheala pentru pierderea în greutate and speaking men.

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The way in which Bucharest and its city structure is perceived today - that is its often unregulated, autonomous and rampantly amorphous development - goes back to the very beginning of the city and to moong dal cheala pentru pierderea în greutate of its dramatic breaks Because of this deep-rooted historical heritage and still intact structure, Bucharest can yet or again? This disordered structure, characterized through undefined boundaries - even in the city centre huge areas were used for agriculture until the end of the 19th century - arderea grăsimilor în cuptor not change until midth century, when at least for the inner city small changes in the style of Georges-Eugne Haussmann were made.

This will to an overall appearance and structure was again intensified in the early 20th century.

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Unique urban landmarks like Nicolae Balcescu Boulevard as a coherent modernist architectural complex in the city centre have just been possible because there was no coherent and functioning old city structure established, which rooted in Romanias belated industrialization. This absence of regulations and fabrics made Bucharest an experimental laboratory for modern town planners and architects.

Even though many of the ideas got stuck at an utopian level, the ideas that were developed in the s and 30s in Bucharest were often based on models of communitarian division of space - without being yet connected to institutionalized forms of socialist architecture - and generally the city was understood as a space of possibilities.

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Although, the largest change - for the first time due to an all-embracing and applied master plan - for Bucharests structure occurred undoubtedly during Ceauescus period. In the s he propagated a new way of structuring housing and living, which was supported by the need for reconstruction due to a devastating earthquake in Supposed to realize socialist ideals, he proposed a model called uniti structurale complexe complex organizational unitwhich is based on a vision of collective social life that collects habitation, education, leisure, medical care as well as commercial needs - of course on the lowest level possible - within one common facility.

Due to the split-up and the missing organizing principle of city quarters, there has not been something like public squares and places earlier; it was the communist regime who needed them now for representational use.